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Archive for October, 2009
iMovie update reveals new Apple video format
Like most companies, Apple periodically releases software updates for its applications, fixing minor issues. However, an iMovie update released on Tuesday revealed a brand new video format the company has been developing.
(Credit: Apple Dubbed iFrame, the new video format is based on industry standard technologies like H.264 video and AAC audio. As expected with H.264, iFrame produces much smaller file sizes than traditional video formats, while maintaining its high-quality video. Of course, the smaller file size increases import speed and helps with editing video files.
iMovie 8.0.5 released on Tuesday adds compatibility with camcorders using the iFrame video format. Currently there are two cameras that support iFrame: the Sanyo VPC-HD2000A and the Sanyo VPC-FH1A.
The two cameras were introduced earlier Tuesday and default to shooting video in the new format. iFrame shoots at 960×540. The cameras can also record in high-definition 1080p (1920×1080), as well as high-speed video formats for slow-motion playback, according to Sanyo.
Apple hasn’t said how long it has been working on iFrame or if other video camera manufacturers would adopt the format. The company also didn’t say when support for the iFrame format would be added to its Final Cut Pro video-editing suite.
The iMovie update can be downloaded from Apple’s Web site or from the software update mechanism in Mac OS X.
Source :
http://news.cnet.com/8301-13579_3-10374263-37.html?part=rss&subj=news&tag=2547-1_3-0-20
New in Labs: Got the wrong Bob?
When’s the last time you got an email from a stranger asking, “Are you sure you meant to send this to me?” and promptly realized that you didn’t? Sometimes these little mistakes are actually quite painful. Hate mail about your boss to your boss? Personal info to some random guy named Bob instead of Bob the HR rep? Doh!
“Got the wrong Bob?” is a new Labs feature aimed at sparing you this kind of embarrassment. Turn it on from the Labs tab under Gmail Settings, and based on the groups of people you email most often, Gmail will try to identify when you’ve accidentally included the wrong person — before it’s too late.

If you normally email Bob Smith together with Tim and Angela, but this time you added Bob Jones instead, we’ll warn you that it might be a mistake. Note that this only works if you’re emailing more than two people at once.
While we were at it, we also changed the name of “Suggest more recipients” to “Don’t forget Bob” — the two related Labs features just kind of went together better this way.
If you want to test “Got the wrong Bob?” out, try faking a mistake like this:
1) Think of three people you often email together.
2) Compose a message to two of them.
3) Start typing the third member of the group (for help you can use one of the people we suggest in “Don’t forget Bob”), but then auto-complete on the wrong name.
If you have suggestions please let us know. And if “Got the wrong Bob?” happens to save you from making a really bad mistake, we want to hear about that too.
http://gmailblog.blogspot.com/2009/10/new-in-labs-got-wrong-bob.html
Google Wave invites roll on, remain scarce
The initial hype for Google Wave invitations was massive and ended up leaving those who were left out of the first 100,000 disappointed. The good news is that Google has started to send out a larger volume of invitations again after having slowly trickled them out since the launch.
Google Wave’s Stephanie Hannon tweeted Sunday that Wave had overcome some of its stability issues over the weekend and that they were sending out a lot more invitations. As of Tuesday, “Google Wave” is the top trending topic on Twitter and the results are filled with users (including myself) bragging about receiving their invitations and not surprisingly, others begging for one.
The eBay economy for Google Wave invites has been pretty healthy, with some fetching upward of $80 to $100. This big influx of new invitees, all with 8 invitations each, will probably eliminate a lot of the demand for Wave invites on eBay, much like what happened with Gmail invites.
Full story :
http://news.cnet.com/8301-13515_3-10373785-26.html?part=rss&subj=news&tag=2547-1_3-0-20
A new space race: Bing vs. Google
In 2008, Google got its logo on the rocket launching the GeoEye-1 satellite for collecting space-based imagery. This year, it’s Microsoft’s turn.
The Bing logo appeared on the side of a Boeing Delta II 7920 rocket that launched DigitalGlobe’s new WorldView-2 satellite last week from Vandenberg Air Force Base in California. But where Google got sole online rights to the GeoEye-1 imagery, Microsoft will be sharing access to WorldView-2 images with Google, a Digital Globe representative said.
Bing and Nokia sponsored the rocket launching DigitalGlobe’s newest imaging satellite.
(Credit: Bill Hartenstein, Boeing
Another sponsor of the rocket is Nokia, whose Navteq subsidiary also supplies digital maps.
Bing today offers aerial and satellite imagery that looks straight down on some locations and a birds’-eye view that gives an angled view. Still, Microsoft touted its DigitalGlobe partnership as greatly expanding what’s available online.
“We now have access to one of the highest resolution global satellite imagery and aerial photography collections (460 million sq. km. + 1 million sq. km. per day moving forward) through a deal we’ve just struck with DigitalGlobe,” said Microsoft’s Chris Pendleton in a blog post. “We’ll finally be able to backfill areas around the world where people have come to my blog and complained about Virtual Earth not having good imagery or photos in their countries–Poland, Hungary, Russia, Taiwan, Mexico, to name a few–I’ve heard you loud and clear. And, now, we’re fixing that problem.”
Google, which already had a DigitalGlobe partnership, was more understated, merely offering congratulations on the launch in a blog post Monday.
DigitalGlobe expects WorldView-2 will double the company’s capacity to collect imagery. The satellite’s top resolution can detect features as small as 0.46 meter, though U.S. government regulations permit general commercial sales of imagery only of 0.5-meter resolution.
Ball Aerospace built the satellite and, as with GeoEye-1, ITT’s Space Systems Division supplied its image sensor.
Launching satellites is an expensive business, but there’s at least some funding available: GeoEye secured $400 million in a sale of debt last week.
Source with video :
http://news.cnet.com/8301-30685_3-10373891-264.html?part=rss&subj=news&tag=2547-1_3-0-20
Music publishers: ‘copyright should be technology neutral’
Composers, music publishers, and songwriters have told federal lawmakers that regardless of whether music is distributed to consumers via TV, DVDs or digital download, they need legislative help to ensure they get their fair share.
Two weeks ago, I wrote a story about how some of these groups want iTunes and other Web music retailers to pay performance fees for downloads of TV shows and films. They also want online music stores to cough up fees for 30-second song previews. Those revelations didn’t go over well with many techies.
But to get a better understanding of what the artists want from Congress, I asked David Israelite, president and CEO of the National Music Publishers Association, to forward me a copy of a March 10 letter written to members of the Senate Judiciary Committee by a consortium of trade groups representing songwriters, composers, and publishers. He agreed.
In the letter, signed by Israelite and representatives of such groups as Broadcast Music Inc. (BMI); American Society of Composers, Authors & Publishers (ASCAP); and Songwriters Guild of America, the consortium wrote: “Technology should not be used to strip rights from songwriters, composers and music publishers. The choice of certain audiovisual delivery systems or methods over others should not result in a diminution of creators’ rights or royalties.”
The group later made this statement: “There is no question that copyright should be technology neutral” and asked Congress to make “a clarification to the copyright law” that specifically says that “the public performing right is implicated in digital downloads” of audiovisual works that feature music.
“We believe Congress intended the current law to be platform neutral,” the music consortium wrote to the Senators. “The conflicting interpretations demand clarification, for without it, performing right income of songwriters, composers and publishers is seriously threatened.”
The lobbying efforts of the songwriters, composers and music publishers continues.
All of this started with the shift in the way the public consumes media. Songwriters and publishers have for a long time collected performance fees from broadcast TV networks and film studios, but now more and more consumers are watching films and TV shows downloaded to their iPods or laptops, which at this point aren’t considered public performances.
A federal district judge court ruled in 2008 that “there is no copyright protection for the public performance right when a work containing music is digitally transmitted for future playing or viewing” the consortium wrote in the March 10 letter.
The music creators have appealed the decision.
How is this the consumer’s problem?
To critics, composers, songwriters and publishers are asking for a guarantee that they will get paid for public performances even if there isn’t any public performance.
Fred von Lohmann, senior attorney for the Electronic Frontier Foundation, an advocacy group for Web users and technology companies, disagrees with the argument that copyright should be technology neutral.
“The Copyright Act has never been technology neutral,” von Lohmann said. “The (Digital Millennium Copyright Act’s) Safe Harbors only applies to online services. There are areas that apply only to cable and satellite providers. The Copyright Act is always trying to strike a compromise.”
He added that music creators already collect other licensing fees, for such things as synchronization rights and he maintains, iTunes or other music retailers shouldn’t be responsible for making up losses for music creators.
“The copyright owner is going to get paid,” von Lohmann said. “Whether it’s called a performance or a reproduction the copyright owner is going to get paid. This is just a turf war between middlemen about who is going to take a piece off the top. The copyright office has tried to broker some sort of solution between the various parties for years with little success.
“We’ll get some more guidance from the courts soon,” he continued, “but I doubt that will be the last word. As (Israelite’s) letter suggests the parties can all go fight it out in Congress now.”
http://news.cnet.com/8301-31001_3-10370513-261.html?part=rss&subj=news&tag=2547-1_3-0-20
Microsoft’s Windows phones hit the market
After months of talking about Windows Mobile 6.5, Microsoft is announcing on Tuesday that the first crop of phones to carry the Windows Phone brand are ready to hit the market.
A host of new phones running the new operating system are expected to debut between now and the holidays, with many being announced later on Tuesday. AT&T has already announced two Windows Mobile 6.5-based phones–the Pure and the HTC Tilt 2. In all, Microsoft has said to expect more than 30 phones running the OS by year’s end.
(Credit: Microsoft)With the new operating system, Microsoft hopes to make the case that the devices are not only worthy phones, but also the best option for those who want to take their Windows world with them. The operating system itself features Adobe Flash support, an improved browser, and menus that are easier to navigate with a finger, as opposed to a stylus. Perhaps more interesting are two new services that come along with Windows.
The first, the Windows Marketplace, is Microsoft’s answer to the iPhone‘s App Store. It’s somewhat interesting that Windows Mobile has long had more programs than the iPhone–none of which involved approval from Microsoft. But Microsoft has found itself in the position of having to insert itself as middleman to match Apple’s approach.
Users will still be able to buy and download applications directly from developers, but Microsoft apparently felt it had to mimic the iPhone’s App Store in order to help connect less technically savvy users with the thousands of programs that already exist for its phones.
http://news.cnet.com/8301-13860_3-10367699-56.html?part=rss&subj=news&tag=2547-1_3-0-20
Photos: Fujitsu’s futuristic phones
The winning design, titled ‘Gesture.’
(Credit: Scott Ard/CNET)
CHIBA, Japan–Out of 2,000 design concepts for mobile phones of the future, the winning entry in Fujitsu’s Mobile Phone Design competition was not the flashiest or most forward-thinking. Instead, the grand prize was awarded to one that featured the most intuitive interface for users. What a concept.
Jin-Gwon Go, a South Korean college student studying design won the equivalent of about $20,000 for his mobile phone concept titled “Gesture.” Of all the finalists, Go’s design was probably the one that took the form of what most people would expect of a mobile phone. Fujitsu said his design stood out because of the gesture-based commands and touchable icons used to operate the phone using only one hand.
Back in May, Fujitsu asked for some input on phone design from anyone who was interested. Roughly 2,000 submissions and four months later, the company unveiled nine finalists on Tuesday here at Ceatec 2009, including Go’s Gesture.
Ceatec is a treasure trove of mobile phone design, thanks to the sophisticated cell phone culture here in Japan. Tuesday is the first day of the show, so be sure to check back throughout the week for more. And for the rest of the finalists, click on the gallery above.
Source :
http://news.cnet.com/8301-31021_3-10368240-260.html?part=rss&subj=news&tag=2547-1_3-0-20
Adobe spells out iPhone apps limitations
LOS ANGELES–Adobe Systems’ announcement of tools to create applications for the Apple iPhone comes with some restrictions.
Adobe announced on Monday at Adobe MAX, the company’s worldwide developer conference, that its Flash Professional CS5 developer tool will enable developers to create interactive applications for the iPhone and iPod Touch. A public beta of Flash Professional CS5 is expected to be available later this year.
In an interview at the conference Monday, Anup Murarka, director of technology strategy and partner development in Adobe’s platform development unit, spelled out some of the limitations of creating Adobe Flash-style apps for the iPhone. These limitations exist because the Adobe Flash player is not supported on the iPhone.
Murarka clarified that Monday’s announcement was not a joint announcement with Apple. “This is an Adobe announcement. This is just something that’s related to our tools and what they output, which is a native iPhone app,” he said.
“So, we’re not running Flash directly on the device. We’re actually allowing our tools to output for native iPhone apps,” Murarka explained.
He then described some limitations. “Let’s take it from the developer’s point of view. They have a very rich environment and language. That’s in Flash today,” he said. “You’re not going to get all of the Flash feature set that would normally be there in the run-time.”
Murarka continued: “For example, high-quality video, H.264, is not available with this product because Apple does not make available the decoders. They make you use their own UI (user interface) to play back high-quality video.” Apple describes the H.264 video codec as delivering “stunning quality at…low data rates.”
He also cited synchronization. “Being able to do synchronization between data and video. Those can be built as Flash applications. In sporting events (for example) using flash for data overlay. Those types of things are not going to possible because we don’t have access to the APIs (Application Programming Intefaces) that would give us the video decode along with all of the individual frames so we can do synchronization,” he said.
And he spoke about graphics effects. “Some of the filter effects. Some of the capabilities that as a programmer you would easily do within Flash are not available as they are not natural APIs that iPhone platform makes available to us.”
Murarka concluded by saying that Adobe continues to work with Apple towards getting Flash on the iPhone. “We’re not there as quickly as we would like. We’re not able to put Flash in the browser. We’re not able to put a Flash run-time on the device directly. But this is a good step,” he said.
http://news.cnet.com/8301-13924_3-10368171-64.html?part=rss&subj=news&tag=2547-1_3-0-20
Over-the-air downloads come to BlackBerry
Online music provider 7digital is bringing over-the-air music downloads to recent BlackBerry phones, such as the Storm, Bold, and Tour. The rumors have been circulating for several months now. On Tuesday the company is set to launch its application–developed by DevelopIQ–on the BlackBerry App World store, as well as on the 7digital Web site.
After installing the free app, BlackBerry users will be able to buy and download more than 6 million songs from all four major labels and all the big independents, all in unprotected MP3 format. The app adapts automatically to the speed of the user’s connection–when connecting over a wireless data network, it will download a relatively low-quality version of the song. Then, when the user enters the range of a previously known Wi-Fi network, it will automatically–in the background–update the MP3 with a higher-quality version (320kbps in most cases).
7digital is based in the U.K. and is fairly well known in Europe–it powers the download store for free streaming service Spotify, among other partnerships–but has been relatively obscure in the United States. That’s changing Tuesday as well: the company is launching its online music store in the U.S., bringing more competition to the likes of iTunes and Amazon. Standard pricing for songs and albums will be 77 cents and $7.77 respectively, which is a play on the company’s name (although variable pricing means that some popular material will cost more). The company also offers a free digital locker service, which backs up all your downloads in case you lose them.
http://news.cnet.com/8301-13526_3-10367606-27.html?part=rss&subj=news&tag=2547-1_3-0-20
Twitter launches ‘Lists’ in limited testing
Twitter on Wednesday announced a long-awaited feature to a small subset of its user base for testing. “Lists” lets users group Twitter accounts together for easy filtration.
For example, you can create a list of all of your work friends or one for all of your drinking buddies. By default, lists are public (although private ones can be created), so they can be shared with anyone on Twitter. Other users can then subscribe directly to one of your public lists if they are interested.
List sharing opens up a lot of possibilities for list curators to emerge on the service, creating a whole new class of influential users. This should help with the discovery of new Twitter accounts and hopefully help to keep fresh content flowing to you.
One of the big complaints about Twitter is that after you pass a certain number of people that you are following, the stream of tweets is impossible to keep up with. By giving users the ability to group people together, it becomes a lot easier to keep track of the accounts that you are interested in at a given time. This will certainly allow people to use the service much more effectively.
Lists has been one of the most requested features for Twitter for some time and it’s great to see that they are finally rolling out the functionality. Twitter has said that information on how Lists will work in their API will come in a few days.
http://news.cnet.com/8301-13515_3-10364831-26.html?part=rss&subj=news&tag=2547-1_3-0-20
