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Sony on Wednesday unveiled a flexible OLED (organic light-emitting diode) display so thin it can wrap around a 4mm cylinder–roughly the diameter of the average pen or pencil.

The 80 micrometers-thick OLED display (about the width of a human hair) can continuously display moving images even while being rolled up, as Sony demonstrated in a video below.

The working flexibility is possible because engineers have managed to lose the rigid driver IC chips usually used in the substrate of a screen in exchange for a gate-driver circuit with OTFTs (organic thin-film transistors), according to Sony.

The 4.1-inch display, which has a resolution of 432×240 pixels (121 pixels per inch), is not for sale. It’s simply a research prototype Sony said it hopes to one day incorporate into products such as screens in mobile devices. Full demonstrations of the screen will be given this week at the SID (Society for Information Display) 2010 International Symposium in Seattle.

The consumer electronics giant has been at the forefront of this technology, showing one of the world’s first flexible OLEDs in existence at CES 2009, as CNET has reported. That screen was .2 millimeters thick.

Of course, Sony is not the only one experimenting with thin and flexible screens.

In April 2009, Dai Nippon garnered much attention with its flexible and seemingly animated posters for the Rakuten Eagles, a Japanese baseball team. The screens incorporated both energy-saving OLEDs and LEDs.

GE has also been working on ultrathin OLEDs, but in an effort to apply the technology to its lighting products. In March 2008, GE unveiled thin and flexible lighting OLEDs that can be manufactured in rolls akin to newspapers on a printing press.

Source : http://news.cnet.com/8301-17938_105-20006000-1.html?part=rss&subj=news&tag=2547-1_3-0-20

Frank Frazetta, one of the most renowned fantasy illustrators of the 20th century whose stunning and energetic images influenced a generation, died this afternoon at a hospital near his home in Boca Grande, Florida. He was 82.

The cause of death was a stroke, said Rob Pistella and Steve Ferzoco his business managers.

Funeral arrangements will be announced shortly.

We’ve truly lost an artist whose contributions to this hobby are without measure. I’m going to spend the rest of today reflecting on how his work made such an impact on me by looking at the many pieces of art posted here at CAF.

Source :

http://www.comicartfans.com/SubNewsDetails.asp?NID=219

Frank Frazetta Painting

From hosting G4’s Attack of the Show! to appearing in summer blockbusters Date Night and Iron Man 2, Olivia Munn is entertaining audiences all over the globe. Olivia also has a soft spot for animals and was shocked to learn that elephants used in circuses are torn from their mothers at birth and bound and electro-shocked as babies in order to break their spirits. They spend the rest of their lives performing silly, meaningless tricks out of constant fear of physical punishment, including beatings with bullhooks—sharp, metal-tipped implements that resemble fireplace pokers.

Olivia Munn for PETA

Since elephants are not naturally inclined to balance on balls, stand on their heads, or perform tricks, trainers use whips, tight collars, muzzles, electric prods, bullhooks, and other painful tools to force them to perform these physically uncomfortable tasks. Elephants used by Ringling Bros. and Barnum & Bailey Circus are beaten, hit, poked, prodded, and jabbed with sharp hooks, sometimes until bloody. When they are not performing, elephants—who walk up to 30 miles a day in their natural environment—spend their time in chains as the circus travels from city to city. Olivia Munn’s Exclusive Interview for PETA Share on Facebook | Embed | Viewing Options

Olivia explains, “When you look at something like the circus and everyone’s laughing and there’s color and there’s music and everything seems so great, but when you go right behind that door and they’re in these crates all day long and then they’re getting shocked and beat just so they can get up and dance around on a ball … it was just so sickening.” Please join Olivia in helping to stop cruelty under the big top and spread the word about this important issue to everyone you know!

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Olivia Munn's Exclusive Interview for PETA]

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http://www.peta.org/FeatureOliviaMunn.asp

Complex’s April/May 2010 Issue Officially Hits Stands On April 6.

Two years ago, we introduced the world to our secret crush Olivia Munn by putting the G4 hostess on our February/March 2008 cover. Since then, she’s become everyone’s favorite funny chick, looking sexy on a slew of other magazine covers, popping up on TV shows and getting cast in a couple of upcoming blockbusters like Date Night and Ironman 2. To celebrate her newfound success, and our 8th Anniversary, we had to get down with our longtime home girl for her second Complex cover. For her sexy spread in the April/May 2010 Issue, we brought in Marvel Comics illustrators Mike Choi and Sonia Oback to help bring the environment to life with some curious woodland creatures. Hit the links for more and check back tomorrow to see our second cover…

• CLICK HERE TO READ OLIVIA’S FULL COVER STORY

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Source :

http://www.complex.com/blogs/2010/03/22/olivia-munn-covers-complexs-aprilmay-2010-issue/

http://www.oliviamunn.com/april-2010-complex-cover/

When we designed Twitter, we took a different approach—we didn’t require a relationship model like that of a social network. Keeping things open meant you could browse our site to read tweets from friends, celebrities, companies, media outlets, fictional characters, and more. You could follow any account and be followed by any account. As a result, companies started interacting with customers, celebrities connected with fans, governments became more transparent, and people started discovering and sharing information in a new, participatory manner.

We’ve developed a new set of frameworks for adding this Twitter experience anywhere on the web. Soon, sites many of us visit every day will be able to recreate these open, engaging interactions providing a new layer of value for visitors without sending them to Twitter.com. Our open technology platform is well known and Twitter APIs are already widely implemented but this is a different approach because we’ve created something incredibly simple. Rather than implementing APIs, site owners need only drop in a few lines of javascript. This new set of frameworks is called @anywhere.

Twitter will be part of our favorite sites!

When we’re ready to launch, initial participating sites will include Amazon, AdAge, Bing, Citysearch, Digg, eBay, The Huffington Post, Meebo, MSNBC.com, The New York Times, Salesforce.com, Yahoo!, and YouTube. Imagine being able to follow a New York Times journalist directly from her byline, tweet about a video without leaving YouTube, and discover new Twitter accounts while visiting the Yahoo! home page—and that’s just the beginning. Twitter has proven to be compelling in a variety of ways. With @anywhere, web site owners and operators will be able to offer visitors more value with less heavy lifting.

Source :

http://blog.twitter.com/2010/03/anywhere.html

AUSTIN, Texas–Twitter CEO Evan Williams took no time in getting to the juicy part of his keynote address at the South by Southwest Interactive Festival on Monday afternoon. He announced the “@Anywhere” platform, a way to pull Twitter links and data onto partner sites and media outlets.

A brief demo of @Anywhere showed off “hovercards” that bring up Twitter information with a mouse-over, let readers or users connect with their Twitter accounts much like Facebook Connect, or explore more specific possibilities, like instantly following a newspaper columnist’s Twitter account by clicking on his or her byline.

“Discovery is one of the hardest challenges,” Williams said. “It’s putting these in context where you’re already aware of them…Twitter is a very easy way to keep in touch.” The company has 13 launch partners, including Digg, The New York Times, MSNBC.com, eBay, Amazon, and Bing. As Williams describes it, “it’s not an ad platform, it’s an ‘@’ platform,” referring to the syntax of using the ‘@’ symbol to denote communication between individual Twitter users.

Williams was interviewed onstage by Umair Haque, director of the Havas Media Lab in what was arguably the most highly anticipated event of the SXSWi lineup. A massive event hall at the Austin Convention Center was filled to capacity, with a line snaking through the hallways half an hour before the talk was scheduled to begin.

The Twitter CEO was sketchier about the details of how @Anywhere will make money, though there are some guesses that big partners will have to pay up for access to the “firehose,” much like its search deals with Twitter and Bing that were announced late last year.

“Inevitably, it’s going to take experimentation,” Williams said. “Google started out thinking that they were going to sell search services.”

A report circulated last month that Twitter was gearing up to launch an ad platform in conjunction with SXSWi, stemming from comments that the company’s head of product management made in a conference panel. Company executives had heretofore been ambivalent as to whether they would start rolling out ads any time soon–or ever.

SXSWi is more or less Twitter’s birthplace: the company made its debut there in 2007, and became an instant sensation with the early-adopter geek crowd. It took about two more years before it could be deemed a legitimate, mainstream sensation, but SXSWi is its home turf.

http://news.cnet.com/8301-13577_3-20000474-36.html?part=rss&subj=news&tag=2547-1_3-0-20

The Internet is in the running for this year’s Nobel Peace Prize, the Norwegian Nobel Committee has confirmed. Championed by Wired magazine in Italy, the nomination has been backed by OLPC founder Nicholas Negroponte.

Italian Wired suggests that the Internet should receive the highly regarded prize for helping to advance “dialogue, debate and consensus.”

The nomination from Wired has been dismissed by some as a publicity stunt — and the support of long-time Wired columnist and investor Nicholas Negroponte is hardly surprising. Although currently seeing some success with the One Laptop Per Child program, Negroponte’s past projects have included such dubious endeavors as as Swatch Internet Time.

The award is to be given to the person (or organization) who has “done the most or the best work for fraternity between nations, for the abolition or reduction of standing armies and for the holding and promotion of peace congresses.” The creators of the World Wide Web — Tim Berners-Lee, Larry Roberts and Vint Cerf — have been nominated, too.

The final nominations will be now be considered by the Committee with the winner due to be announced on October 8, while the awards ceremony will take place in December.

Do you think the Internet should be awarded the Nobel Peace Prize? Or should it go to a person or organization? Is Wired’s campaign just a PR stunt? Have your say in the comments below.

http://mashable.com/2010/03/10/internet-nobel-peace-prize/